repress - al dobson jr. returns to rhythm section international with his debut full length lp. spread over 28 tracks and clocking in at just under one hour, this body of work provides a glimpse into the mind of one of the uks most talented, enigmatic producers. al dobsons debut mini album marked the inauguration of bradley zeros fledgling label back in 2014, proving to be a breath of fresh air to the london scene with its loose, undefinable sound and unique approach to production. as a newcomer, al dobson jr.s music didnt remain a secret for long, with major global tastemakers such as gilles peterson, theo parrish, dego, alex nut and osunlade being early adopters. as with other key releases on 22a and izwid, it didnt take long for rye lane volume 1 to go from obscure debut to cult classic, propelling the artist and the label onto the international platform. at once a continuation and evolution of the sound, rye lane volumes ii & iii offers a deeper exploration into the al dobson jr universe, moving with ease through tempos and textures but never losing that effortless magic that makes adj stand out from the crowd.

mammoth and stunning 5 x lp boxset (5xcolor lp s + booklet) compiling pye corner audios highly sought after blank mill tapes albums

waldeck takes us on a trip through south-western usa.

40th anniversary reissue on limited double vinyl with download code included.

fresh boogie sounds from france.

pwr/up (power up) is the 17th studio album from ac/dc. regular pressing on black 180 gram vinyl, housed in a gatefold sleeve.

pwr/up (power up) is the 17th studio album from ac/dc. limited pressing on red coloured 180 gram vinyl, housed in a gatefold sleeve.

the wait is finally over - murs and slug are back as felt with their 4th album. limited pressing on pink and teal double vinyl, housed in a gatefold sleeve with download code included.

for michigander s fifth release, brian kage delivers four solid dance-floor fillers, each infused with a unique blend of melodic detroit soul, intelligent acid and perfectly mixed percussion. each offering teleports the listener into a future where social distancing has finally abated and celebration can commence. lockdown starts the record off with undulating 303 bass notes that groove around in a circular arpeggiated formation until hypnotic 909 percussion breaks through with echoing claps and weaves together a tale of futuristic tension building. hold on pain ends features a stabbing analog synth-line that repeats a half-beat phrasing contrasted with slamming technical percussion, a heavy kick and a lush pad that is perfect for late nights in a warehouse. that woman from michigan contains gentle swinging upbeat percussion and deep soothing chords with samples of governor whitmer asking all michiganders to do their part and join together in solidarity. a subtly modulating acid line builds tension into a perfectly resonating crescendo. f.u covid19 - an ominous swelling pad rips across the dystopian horizon as swinging rimshots build around a deep pulsing kick and a dirty mono synth swirl. echoing vocal samples punctuate this acidic frenzy until the tension falls away giving dancers an opportunity to catch their breath before the next round of infectious rhythmic groove forces the hypnotic spell to intensify.

dave brubeck’s piano interpretations of timeless lullabies.

iv horsemen joins the fleisch family with a six track ep of crushing distortions and metallic body fury, lashed with escalating unease as demonic vocals swirl through the grinding abyss.

red vinyl! iv horsemen joins the fleisch family with a six track ep of crushing distortions and metallic body fury, lashed with escalating unease as demonic vocals swirl through the grinding abyss.

2020 reissue of the 2011 shaolin afronauts debut album.

interstellar space-jazz from king khan with marshall allen & knoel scott (sun ra arkestra) and john convertino & martin wenk (calexico).

paradise pizza is back in with usual good quality stuff. a perfect release to fly through the night

tape / cassette

you should have these tracks with you when you travel through space and time.

original motion picture soundtrack from the 1986 movie “top gun” on picture vinyl.

reissue of the 2016 debut album from duval timothy.

first solo ep for mmmh! you might know him through his highly qualitative project loop exposure or from his past appearances on lumbago’s ninja tools series.. generally present alongside numerous artists or with his duo, now it’s time for him to leave the herd, to take his flight and live his own adventures. heroic sounds, complicated layers of driving rhythms, haunted stabs and acidic wizardies are composing what is definitely the darkest side of mmmh.

limited pressing on black vinyl.

tomas jirku presents his new lp on silent season

ianua takes us on a journey through time and space.

ltd to 50

pfirter with an energy driven 5-tracker on andre kronerts odd even. pfiters lockstep drum patterns construct a hypnotic tale that reverberates with intense metallic synths into an expansive dark room sound with the endless ep. through my window starts with hollow syncopated bass driven by steady kicks. the low end and tight rhythm cause the synth pads to gasp for air in last breath. the repetitive chord stabs through the discordant ambiences while the percussion rumbles on with endless. certain is an expansive techno track that churns with machine-like precision. the chaotic synths and modulated metallic sounds hold ground with the hard kicks in release.

only vinyl 1! this year sees abba’s the album turn 40, and usm are pleased to announce that we’ll be releasing a selection of products to celebrate the anniversary. abba: the album is the fifth studio album by the swedish pop group abba. it was originally released in scandinavia on 12 december 1977 through polar music and was released in conjunction with abba: the movie, with several of the songs featured in the film. the album contained two uk number-one singles, -take a chance on me- and -the name of the game-, as well as european hits -eagle- and -thank you for the music-. the album includes three songs from abba’s 1977 tour mini-musical the girl with the golden hair. these songs are -thank you for the music-, -i wonder (departure)- and -i’m a marionette-. altogether the album contained just nine songs—the least of any abba album, but were longer in length than previous albums (opening track -eagle- runs to nearly six minutes). abba: the album reached no. 1 in many territories. in the uk it debuted at the top and remained there for seven weeks, ending up as the third biggest selling album of the year (behind the movie soundtrack lps of saturday night fever and grease). in the us it became their highest charting album, where during 1978 abba undertook a big promotional campaign.
half speed mastered at abbey road studios and cut at 45rpm. 180 gram vinyl, housed in a gatefold sleeve with download code included.

coco bryce summons his chavinsky alias for a bass-heavy mystical journey through garage, house and 2-step with a sublime 5 track ep for distant horizons.

new label optical illusions brings 5 electro warriors to the dance floor.

roberto bosco is back with the second episode of il crononauta. the journey continue through the time and space.

2020 rerelease - hallucinations storm the border between wakefulness and sleep. accurate perceptions give way to distorted visions, senses torn and split through. borne of mutual inspiration, legendary duo dopplereffekt and sonic adventurer objekt present hypnagogia, a split 12 on leisure system, with each transmission derived from a shared journey into extrasensory perception and subconscious thought

nice 4 track ep with warm softkeys for a journey through relaxation and movement.

through these four new techno tracks, philippe petit is trying to carefully balance the opposites (stable versus unstable, emotional versus detached) to find the right equilibrium.

supported by robert owens, osunlade, joe gomez, james priestly

repress !! safe trip is taking one final deep dive into the warm waters of italian dream house with welcome to paradise volume 3, the concluding chapter in the label’s journey through the previously overlooked world of one of dance music’s most vibrant and influential underground movements. . while the influence of dream house continues to echo through the ages, the style was at its peak between 1989 and ’94, when producers across italy delivered a high volume of loved-up, wavy and occasionally blissful productions that fused contemporary deep house tropes – most notably from chicago, new york and new jersey – with elements borrowed from ambient, jazz and balearica.

orbital london are back with impressive breakbeat action!

creativity lies in various artistic factors based mainly on commitment and maturity that is acquired with it, each project is a decision that is forged with a cold mind and requires to be conceived at the right time, a waiting time between projection and execution, this is what presents us with dorhg on his new label atroc records, where he opens a catalog with the remixes of kalter ende & sarf, a 180g and twelve inches ltd vinyl, entitled “fixing process“. the path taken by dorhg with fixing process reveals his experience and vocation for dynamic, rhythmic, deep and syncopated structures, through icy and mental sequences, without leaving aside the physical and direct in his message. melting is the track that opens the release, it is bent to a deep bass sequence that reiterates its presence without variation, and although it acts as the central axis of the track, it is the percussive elements that are annexed in the background that give a certain energetic charge. indistinctly to the original version, kalter ende refuses to maintain this bass line and leads us to another character more dense and textured in his adaptation, but preserving the rhythmic nerve. coalescence occupies the b-side. with the original, dorhg repeats the formula in terms of intensity, this time it is different components that alternate protagonism in a linear work loaded with particles that go from maximum excitement to calm. on the other hand, sarf creates with his remix a solid, direct techno piece with several ingredients operating in a loop and a deep textured mattress that gradually varies in intensity.

ltd repress - trio ternura (or tenderness trio) consisted of two sisters, jussara, jurema and their brother robson. their father, umberto silva was a revered brazilian songwriter and recording artist who introduced his children to the music world at a very young age. after performing some songs on broadcast television and at festivals early on, their father umberto and brother, beto scala wrote a gira for the trio to record. the song is a tribute to nature, spirituality and mindfulness. the hommage is made through a form of cantico (chant) or saudação (salutation), aimed at invoking an orisha named oxossi. otherwise known as saints, orishas are the deities worshiped in the afro-brazilian religion of candomblé. african religion and culture have had an undeniable impact in brazil, especially in music and on artists with african roots as its rituals were often accompanied by music comprising highly percussive drumming. as a result, a gira, an homage to a candomblé deity recorded in 1973 involves mesmerizing polyrhythms from the very first few bars and throughout, followed by the sisters soaring vocals and impeccable instrumentation. its a song that they can really identify with, in their own words it has the dancing, the expression, the lyrics and musical relaxation - something very brazilian. originally released on polydor in brazil, fully licensed and remastered from the tapes - mel012 comes forth in its 7-inch original vinyl format and digitally, b/w trio ternuras stunning version of gato barbieris last tango in paris and is accompanied by the first bilingual melozine.

jungle madness by eusebeia, atiq & arlow

various creatures of the native flora and fauna are interpreted musically on dominik eulbergs label apus apus. the music pieces are thoughtfully presented with 2 tracks per ep. his first ep features the track bienenfresser (eng. bee-eater) on the a side and blauracke (engl. blue roller) on the flip side. the bee-eater is the most colorful bird of our native lands a quality which is echoed through the piece of the same name. the composition oscillates from one color into another without losing its significant habitus. it is a musical journey through the color scheme of the bee-eater, through which dominik eulberg takes us by way of his iconic style. he succeeds at a striking balancing act between sensitive subtlety and steady pressure, in order to offer us a satisfying share of hedonism. it is a piece of music that provides an intimate listening experience, while simultaneously supplying listeners with a collective, mobilizing anthem. the long introduction of the track emulates the agile flight for prey of the dazzling bird, but then it fervently taps out the stinger of the captured bee, and finally nothing can stand in the way of the massiveness of the celebratory bass drum. intrepid, yet with a high degree of ataraxia, dominik leads us through the skies on an expedition into the colorful land of the bee-eater. the magnificent turquoise blue plumage of the blue roller glimmers green or blue, depending on the quality of light. these colors, translated into worlds of sound, are reflected in this piece of the same name. sparkling melodies intertwine gracefully along musical chains, and create a constant redefinition of the theme. the piece is inviting and catchy in the typical eulbergian manner submerging into the auditory tract and manifesting itself with much elegy in the deepest cortex. the blue roller is a sit-and-wait hunter at first occupied with idleness, until finally capturing its anticipated prey. this imperturbable serenity is felt in this piece of music and illustrates eulberg s many years of knowledge and experience. he steers his audiences through the true essence of music, while always keeping both hands firmly on the wheel.

ltd repress! dominik eulberg’s third ep on his label apus apus features the track -abendpfauenauge- (eng. eyed hawkmoth) on the a side and -oleanderschwärmer- (engl. oleander hawkmoth) on the flip side. -abendpfauenauge- brings together a romantic outlook as well as a rave quality through sequential tight knit melodies which enables the dj to play the tune in the club. -oleanderschwärmer- on the contrary is a dreamy and airy 15 minute epic that is a true fascinating listening experience. a. abendpfauenauge the eyed hawkmoth owes its name to the distinctive eye drawing on its hind wings. the bark-colored forewings provide perfect camouflage when resting on tree trunks during the day. in case of a disturbance, it pulls the forewings up jerkily. the moth now gives off the appearance of a face that suddenly stares at the troublemaker. forward and backward swinging movements of the body intensify this threatening effect. b. oleanderschwärmer with its incredible colors, the oleander hawkmoth is a symbol of tropical beauty. it rarely flies into our fields as a migratory butterfly. with a wingspan of up to 13 centimeters, it is a true -jumbo-. it s flying style is similar to that of hummingbirds. it reaches speeds of up to 50 km/h. it’s proboscis, the tubular mouthpart used for feeding on the nectar of flowers, becomes as long as its body.

the mystery artist or cane is the dance floor outlet of funckarma aka don & roel funcken (nl). music for the body but with an increase in cognitive focus, the mystery artist sound has the rawness and darkness of funckarma with a tilt towards techno, electro and acid. >gwane mone< sees the return of the ma after a first release on skam records, with a unique blend of heavy bass lines and offbeat electro rhythms. the a-side starts with the dark slow mood of >jinn<, a track defining the general atmosphere of the record. the pace gets picked up through >oid trazzle<, a modern electro killer with that distinct attention to detail of the funcken brothers. the b-side continues with the mental bass of >gwane mone<, a brooding subbass line accompanies an offbeat rhythm structure. the ep finishes with >ssiwsk<, a track closer to the cane sound and with a distinct intent for the underground dance floor. the gwane mone ep builds up through the four tracks and therefore works equally well as a dj-tool and as an up-tempo home listening record

2020 repress! after a relatively long break jaffa surfa makes his return with a new release that is a bit more raw thus shifting the sound of tape hiss into the same direction. in comparison with his previous releases on labels like bosconi extra virgin, all inn records and houseworx he is making an effort to explore new territories with ‘psy lance ep’ while staying true to his trademark housey sound. considering all the musical styles that jaffa surfa is taking inspiration from (from the soul/funk/disco trio, through all shades of house music and all the way up to techno) it doesn’t come as a surprise to see him churning out productions in various styles even within one release. the rolling yet deep ‘psy lance’ complements the playful and trippy ‘bazz’ nicely just as the beatless dj-tool ‘preacha bonus’.

repress alert! 180g vinyl only. meet the creators on a truly intimate level. a more experimental one. then mirror their ideas through dance floor reinterpretations. the circle is now complete. priku’s low tempo luna, remixed by sublee and lizz.

new album from chicago’s garage rockers twin peaks.

new album by rodhad

reflec takes us on a proper journey through the musical galaxies.

2020 repress on black 12 inch vinyl. to celebrate the 10th release on lunar disko records, we will also be releasing a record from that boy automatic tasty. ldr 10.10 is a conceptual 4 track ep named fieldwork. automatic tasty tells a tale through his machines of a lonely wicklow field from dawn till dusk.... throughout this 4 tracker, automatic tasty succeeds in creating an ethereal soundscape that allows the listeners imagination to run wild. starting with the bright and cheerful >field in the morning<, the mood swiftly changes upbeat in >field in the afternoon<. the winding down of >field in the evening< tells us dusk has arrived, while the mysterious acid-tinged >field by night< marks the end of another day for both the field and the listener...

a collection of marvin gaye’s motown classics on one vinyl lp.

jazz, soul and hip hop